Changes in artists’ attitudes may or may not influence the course of the economy of the arts. But societal developments affecting the sacredness of art are bound to affect the economy.

three interrelated developments that may contribute to a demystification of the arts and therefore to a less exceptional economy, such as:
a Rationalization: As society becomes more and more rational, the arts will gradually go through a process of demystification.
b Fading borders: Because the high status of art depends on borders and because borders in our postmodern society have lost much of their significance, the status of art is bound to experience some shrinkage.
c Technical developments: The growing importance of technically reproduced artwork, of mass-produced artwork, and of media culture will further contribute to the demystification of art.
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The third direction art may take is the one of the artist-craftsman. Because of the increased importance of self-referential and conceptual art, craftsmanship has lost much of its high value among artists during the second half of the twentieth century. The last few decades however, artists with a keen interest in craftsmanship began to move in front. They began to reinstitute old techniques and developed new, more positive attitudes towards craftsmanship.

Artists who actually do their own work with their own hands and who derive their identity and success partly from their craftsmanship are typical of this new or rather reinvented type of artist. It is because of them that paintings, ballets and musical compositions are again allowed to be admired for their technical virtuosity and can be considered ‘beautiful’ again according to some critics.
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Why we need lighting in arts? Because art can not be seen without illumination especially if it occurs in a cast of fine arts. While it’s easy to hang a painting or sculpture and set light to shine on it but don’t you know the result not always the same in each arts work.

As a matter of fact, such approaches may lead to less exposure to light the artistic and look dull. These feelings are confusing to enjoy a painting in a gallery space and then bring it home, hang it and it turns up in the house does not look as good on the gallery as you paid for it. The secret is the lighting on the artwork, the lighting is right for the art is art itself, every work of art is different and although there is a common method of lighting on the artwork, to gain the maximum benefit, you should know what you’re looking for.
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As predicted as possible normalization of the economy of the arts via the emergence of new types of artists with new attitudes. Currently, artists’ attitudes are moving in basically four directions. Each of the four directions has its own type of artist who might be said to exemplify that direction.

Many modern artists have developed an attitude that resembles the scientist’s attitude. Most of these artist-researchers are not particularly interested in audiences or buyers. Studios are laboratories, while concert halls, museums, books, and internet sites are lecture rooms for a select and well-informed audience.
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If these signs are relevant and if my assessment of them is correct, the ‘hard’ signs indicate that the picture of the economy of the arts in this book is not outdated. It appears that postmodernist forces have not effected the distribution of funds. Nor have important institutions, such as foundations and governments, lost interest in the arts. The hard signs do not suggest an imminent change in the exceptional economy of the arts. The ‘softer’ signs, however, are more ambiguous. They seem to suggest that ‘change is in the air’.

There are few social circles left where discussing money and financial gain is still ‘not done’. In this respect, society’s values appear to have changed over the past thirty years. But are they only superficial (temporary) values? Or did a more fundamental attitude towards money and commerce change as well? The current increasing, sometimes even pathetic, interest in non-money values among some business people, not only in new-age circles, suggests that higher order values have not changed much.
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